No End Credits

This film was done

with devotion

to the

art of cinema.

 For artistic reasons, there

are no end credits. 

 If they were there,

this is

what they would contain:

Ethan Phillips – Boss

Alice Amter – She – Boss

London Bridges – Black Assassin

Jude Ciccolella – Chase Leader

Jeremy Craven – Sheriff

Jose De La Cruz – Policeman

George Dinu – Man running with the Girl

Ashley Fennario – Policewoman

Narmar Hanna – Third Woman

Lacey Joplin – Little Girl in Red Dress

Scott Klace – First Encounter Man

Ray Kline – Man Standing

Marysia Kozlowska – Girl

Leon Kozlowski – Boy

Yvonne Lin – Asian Assassin

James Morrison – Boss 2

Michael Santorico – Driver

Jennifer D’Ambrosio – adr

Tomasz Gesikowski – adr

Mateusz Banasiuk – re-recording mixer

Maria Chilarecka – sound editor

Amadeusz Chilarecki – foley artist/foley editor

Chris Daker – adr sound recordist

Marc Glassman- sound effects editor

Stephen Halbert – adr sound recordist

Wojciech Kuc – re-recording mixer

Frank Rosato – adr sound recordist

Bartlomiej Wozniak – sound editor

Jan Wozniak – foley artist/foley editor

Myra Spence – assist property master

Joseo Marc Contreras – visual effects artist

Slawomir Drobek – Matchmoving: 3D

Marek Glinka – Compositing: 3D

Richard Hiltzik – key visual effects artist

Krzysztof Hrycak – Nolabel VFX Producer: 3D

Joanna Katarzynska – Data Wranger: 3D

Kirill Stashkevich – 3D Generalist

Agata Zabecka – visual effects producer: 3D

Mark Beutel – on-line editor: additional edits

Marek Brandys – conforming and digital mastering

Jim Darby – on-line editor

John Dvi-Vardhana – trailer

Fred Eldridge – colorist

Barbara Good –  technical assistance

Martin Hernandez – technical advisor

Richard Mainholt – machine room operator

George Manno – colorist: helicopter shots for vfx

Doug Peterson – machine room operator

Rick Piccini – online editor

Hobart Young – machine room operator

Bianca Biagioni – second/first assistant director

Terrence Cho – production assistant

Amy D’Alessandro – titles

Tammy Dong – production coordinator

Heather Hollin – production assistant

Maryla Juraszynska – post production coordinator: Poland

Tammy Lin – production coordinator

Kennedi Martin – first assistant director

Kevin Murry – production assistant

Laurel Mylonas-Orwig – production assistant

Darek Nowak – poster

Tomasz Nowak – helicopter pilot

Marcin Placzek – helicopter sequence coordinator

Akeem Smith – production assistant

Alice Amter – Co-Producer

Pawel Gralinski – Executive Producer

Barbara Kozlowska – Executive Producer

Andrzej Kozlowski – Producer

Stephen Messer – Line Producer

Krzesimir Debski

Spencer Snygg

Andrzej Kozlowski

Zbigniew Namyslowski – alto saxophone solo

Krzesimir Debski – violin solos

Ilona Europa – vocal “Dance Song”

Radek Kopec – composer: “Dance Song”

Radek Kopec – Nsemble “Dance Song”

Jaroslaw Baran – sound recordist

Blazej Domanski – sound recordist

Jakub Krukowski – music producer: score

Maciej Pietranik – assist sound recordist

Bob Weitz – sound recordist: vocal

Monte Rex Perlin

Tina Hoffman – special makeup artist

Salomon Abanda – grip

Bradley C. Ferm – key grip

Orlando Ordonez – assist camera

Agnieszka Piotrowska – stills + helicopter footage

Darrell Anderson – special thanks

Maria Bukalska – thanks

Andrzej Bukalski – thanks

Tania Dabrowska – thanks

Jan Dabrowski – thanks

Michael DeMucci – thanks

Andrzej Kosalka – thanks

Dick Kyker – thanks

Mark Lessard – thanks

Maciek Malish – thanks

Dee Mansano – thanks

Evelyn McVeigh – thanks

Lloyd Moriarity – special thanks

Jerry Pierucci – thanks

Alex Raspa – thanks

Stephanie Rezentes – thanks

Erik Rodenhiser – thanks

Jay Segimoto – thanks

BaBa Studio Bartlomiej Wozniak (sound post-production) (foley)

Fryderyk Chopin University of Music (mix stage)

Keep Me Posted (post-production facilities)

Level 3 Post (post-production facilities)

Nolabel (3-D CGI)

Studio7 (recording: music)

Visionary Forces (video deck rental)

Andrzej Kozlowski

REVIEWS

"Stunning in suspensefulness, Andrzej Kozlowski’s “1” showcases cinema verite angles so seamless that you unconsciously bob and weave in your seat, peering around trees as if you were glued to an actor hiding from the enemy behind red ant-infested, decaying limbs."

Louinn Lota

Former Associated Press Print & Radio Broadcast Writer